![]() ![]() What of the sense that these technologies rip off artists and devalue human-produced images? Though she currently wouldn’t use an AI image as a final product, for Diamond, Midjourney’s digestion seems like a hyper version of the moodboards already common in her industry. This time around, Midjourney quickly conjured the right pose to frame a smile or the perfect ray of light across her face. For years, Diamond’s team had to decipher little ballpoint pen sketches to understand her visions for album artwork. For her new album, she used ChatGPT, which, as anyone who has ever ordered the tool to spit out a saucy limerick can attest, was even quicker. ![]() Previously, when brainstorming lyrics, Diamond had visited the artists’ “trusty favorite” RhymeZone, a process that was already faster than opening a thesaurus. For her most recent album, Perfect Picture, which drops Oct 6, AI helped streamline things she’d done on earlier records. ‘“When you’re faced with limitations, you end up creating a style,” Cook says.įor artists like Diamond, using generative AI, much like using Photoshop or InDesign, is just another way to make the most of the tools you have. The question then was: How big of a pop song can someone make with just a mic and a laptop? (A decade later, following the ascendance of PC Music and associated acts like Charli XCX and Sophie, the answer emerged: massive.) The chopped-up vocals of Diamond’s first hits, “Pink and Blue,” “ Attachment,” and “ Every Night,” she explains, were simply the cleanest way to mask any background noise in the home of Cook’s mother. Parallels can be drawn to the early life of PC Music. In no art form has this been truer than music, the letter notes-opening with a quote from Björk-as the medium has been using “simpler AI tools, such as in music production software, for decades.” For Diamond, and other like-minded musicians in this lineage, AI is just another tool in their arsenal. ![]() From Diamond's perspective, it seemed as though these people wanted to presume she was a machine (and, by proxy, a man). and I were doing and making with my work at the time, I think people thought they were that couldn’t come from a female perspective, a female face, or a female-led project,” she says. Of course, it wasn’t computers that erased Diamond’s personhood back then, but people: a bro-y tech subculture that venerates some and not others. What’s more, when it became clear that she was a (flesh and blood) woman, she says, the hype dissipated. Instead, she was a model in a pink North Face jacket, and like something out of Singing in the Rain, it was Cook behind the curtain, conjuring “Hannah Diamond” on a computer. These articles shared a conviction: Diamond wasn’t real. Read more here.Īfter “Pink and Blue” came out and Diamond’s career took off, she began noticing a certain kind of think piece. This story is part of WIRED30, our special 30th anniversary series. ![]()
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